Photo series since 1996, varying size, mostly 100 x 70 cm, mounted on Alu-Dibond

 

The photographic series Future of the past is concerned with utopian-like buildings and ruins from the socialist past in ex-

communist countries. An end-of-time mood hovers over these images, the subjects of which seem to come from science-

fiction films. The photographs depict towers, housing and office blocks and closed down factories, buildings which earlier

seem to have embodied some belief in future prospects, be they social or economic. In their present, derelict state they ap-

pear to embody the utter failure of a social and political utopia.

 

 

 

 

 

 

 

 

 

 

Photographs on Alu Dibond, 45 x 30 cm, 2016

 

Everyday scenes built of trash material starring miniature people

 

 

 

 

Photo series since 1996, on Alu-Dibond, varying size, often 100 x 70 or 70 x 100 cm

 

The photographic series Future of the past is concerned with utopian-like buildings and ruins from the socialist past in ex-

communist countries. An end-of-time mood hovers over these images, the subjects of which seem to come from science-

fiction films. The photographs depict towers, housing and office blocks and closed down factories, buildings which earlier

seem to have embodied some belief in future prospects, be they social or economic. In their present, derelict state they ap-

pear to embody the utter failure of a social and political utopia.

 

 

 

 

 

Photo prints on Alu Dibond, 2009, most 100 x 70 cm

 

The collages are based on my own photographs of landscapes and cities. Apart from that, they are free in their topics.

 

Vicious Circle (used as record cover for UKO’s album The Sista Sadie Life Show)

 

Spring

 

Chinatown

 

Cañadas

 

Fuck y’a all

 

 

 

 

Photo series since 1997, on Alu-Dibond, varying size, mostly 100 x 70 or 70 x 100 cm

 

The photographic series Future of the past is concerned with utopian-like buildings and ruins from the socia-

list past in ex-communist countries. An end-of-time mood hovers over these images, the subjects of which seem

to come from science-fiction films. The photographs depict towers, housing and office blocks and closed down

factories, buildings which earlier seem to have embodied some belief in future prospects, be they social or eco-

nomic. In their present, derelict state they appear to embody the utter failure of a social and political utopia.